Jeremy Sharma works with the ontology of things and the capacity for voids - between knowledge, perception, memory, data and formats -to be made, occupied, heard or visualized. His past forays and experiments looked into scenes and places through the effects of modernity while working across various media.
His current practice revolves solely around longstanding ideas in painting and writing, with side interests in music and filmmaking.
Over the past decade, he has had a number of solo presentations that includes Orbiter and Sonata with Michael Janssen Gallery Berlin/Singapore, Terra Sensa at the Singapore Biennale (2013), Exposition (2013) at Grey Projects and Apropos (2012) at the Institute of Contemporary Arts Singapore. He has also done projects with the NTU Centre of Contemporary Arts Singapore, ifa Gallery Berlin (2015), Fundación Sebastián Mexico (2015), Busan Biennale (2014), Osage Art Foundation and City University Hong Kong (2014), Tokyo Art Book Fair (2011), 14th Asian Art Biennale Bangladesh (2010), Bangkok Experimental Film Festival (2008) and the ICA London (2005). His work has also been shown in numerous group exhibitions in Singapore, Malaysia, Indonesia, Thailand, Hong Kong, Italy, Switzerland, Germany, France, England, Mexico and the United States.
His work has been the subject of critical discussion in various print and online publications including Art Radar Journal, Asian Art News, Asia Art Pacific and Wall Street International and is part of a number of public and private collections.
He also teaches with the Faculty of Fine Arts at the LASALLE College of the Arts and runs an experimental curatorial platform called Bulanujung.